



In his anthropology paper, "Deep Play: Notes On the Balinese Cockfight" published three decades ago, U.S. anthropologist Clifford Geertz noted that Balinese men “spend an enormous amount of time with their favorites (fighting cocks): grooming them, feeding them, discussing them, trying them out against one another or just gazing at them with a mixture of rapt admiration and dreamy self-absorption.” Geertz’s research focused on sabong-crazy Balinese men, but he might as well be describing a typical Pinoy sabungero.
After all, in the Philippines as in Bali, sabong is more than just a pastime among inveterate gamblers. Sabong is deeply entrenched in the Philippine culture that is estimated between eight and 10 million Filipinos, or roughly 10 percent of the total population are sabungeros.
A cockpit, along with a school, the municipal hall and the church, are among the key structures that one usually sees in a typical Philippine municipality. And in a country where there’s a huge gap between the rich and the poor, sabong serves as an equalizer. Politicians, businessmen, yuppies, laborers and peasants –- all of them can enjoy, bet, win, lose or just get infected by the tremendous energy generated by an exciting cockfight.
Sabong also has several functions in Philippine society, according to Michael Tan, chairman of the anthropology department at the University of the Philippines.
“Sabong isn’t just about the fighting cock and the sabungero,” he says. “It’s about sociability, pagsama sa barkada (going with one’s group). A cockpit is also a political area, politicians go there as well. Doon din siya inaawitan ng mga constituents niya (That’s also where his or her constituents approach him).”
(Source: Philippine Center for Investigative Journalism)